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I began taking an interest in
learning how to play the piano after retiring in 1999. Earlier---
back around 1995--- I acquired a 1905 upright piano made by Jacob Dahl
(nee Doll) for $100 and had that piano fixed up for another $500. It
is extremely heavy with its cast iron sounding board setting inside its
original wood frame in our walkout basement, sitting as it does on
top of tile covered concrete flooring.
Sometime around the early 2000's I
began teaching myself how to play the piano. I bought the first
series of piano books by Alfred's Beginning Piano Books and got so I could
play them. I also got the Thompson Beginner, Book I and worked a
little out of that. The Treble Clef is the easiest for
me. The Base Clef is a whole 'nuther
story.' That's what always drags me down. And so
I gave up playing the piano for awhile. But not before I bought
a Yamaha electronic keyboard, which I set up, looking as it does out over
some woods we see from our second floor family room.
Then just this past summer I began
talking to Alice Mahler Ashley, York '53, about it all, and I discovered
that in addition to her playing the flute, she had a childhood just
filled with piano lessons. She gave up the flute sometime ago now,
but tells me that she continues to play the piano for her own
enjoyment. Anyway, I told Alice that I'd like to be able to
play "Ashoken Farewell" because of its recent
association with the PBS series on the Civil War. I have a copy of
the sheet music, but it's written in a key with two flats. I told
Alice that I'd really like to find a rendition of "Ashoken
Farewell" that was in the key of C--- without any
sharps or flats. And so Alice said she'd transpose that piece of
music into the key of C for me. Then I didn't hear from Alice for
awhile, but last fall she said she had since found some sheet music for
"Ashoken Farewell" written in the key of
C. And so she sent it to me. I told her even back then that I
would work on it, but not to expect anything soon, for it would take me
months to get my left hand working with my right hand on this
music.
And so I've been doing so...off and
on again...ever since. Then, just the other day Nancy picked it
up. Nancy too has had many years of piano training as a child.
And so I recorded Nancy's playing of the first half of this piece...just
so I could get a feel for how it should sound. It was only then that
I got inspired to tackle this task in earnest. It's a
waltz, you know--- and I've gotten at lease half of it done right
now. And so I've played it for you 'ratch
hyar' in the voices of the 'theatre
organ" and the "live grand
piano". I'm still searching for all those notes in the
left hand for the second half of this piece....so it's not a complete
production just yet.
I hope you enjoy it.
Meanwhile, I am continuing my efforts to get my left hand up to
speed...and someday I too shall play this piece using both hands, from
beginning to end.
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